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Reviews: Girls Against Boys' The Ghost List EP

Girls Against Boys' The Ghost List EP

Unlike some of their similarly reformed ’90s indie rock peers, Girls Against Boys (the unfamiliar should consult my primer) aren’t returning from the hard stop of an acrimonious break-up. Their decade of relative inactivity since the Jade Tree–issued You Can’t Fight What You Can’t See was still marked by the occasional live appearance—specifically, the Touch and Go 25th Anniversary Block Party, All Tomorrow’s Parties’ Don’t Look Back, ATP vs. Pitchfork, and a 2009 European tour; generally speaking, anywhere I was not living at the time. Their 3X bass expansion unit could still boot up when called upon, but as a fully functioning machine, GVSB had gone into standby. I’d have to subsist on their consistently excellent discography, particularly their trio of superlative LPs on Touch and Go, and cross my fingers that one of these appearances would be in my time zone.

Three surprises greeted me in 2013: first, Girls Against Boys announced a brief East Coast tour, including a stop at Great Scott in Allston; second, a pairing forged at the Absolutely Free Festival in Belgium made its way to the American bills as well, with The Jesus Lizard’s David Yow accompanying GVSB for part of their set; third, The Ghost List EP was announced for a fall release on Epitonic. Of the three, new material was the stunner. (David Yow keeping it in his pants was a close second.) It’s one thing to issue an EP after a decade of heavy touring, but with only sporadic events on their calendar, Girls Against Boys weren’t the likeliest candidates to present new songs.

Not that I’m arguing with this development. Similar to Superchunk’s post-hiatus records, Girls Against Boys slip comfortably back into their trademark sound on The Ghost List. Its five tracks occupy terrain between the well-oiled machinery of House of GVSB and the up-front melodies of You Can’t Fight…, constructing a veritable bridge over the questionable production values of Freak*on*ica. Despite being assembled from a mix of half-finished song sketches and newly authored tracks, The Ghost List doesn’t prompt a round of when-was-this-song-written like My Bloody Valentine’s M B V.

With only five songs spanning eighteen minutes, The Ghost List wisely avoids filler. Opener “It's a Diamond Life” struts with distorted keyboards and emphatic Eli Janney background vocals while Scott McCloud glares at both one-percenters (“It's a crystal system”) and those overeager to join them (“I don't know what I want / But I want it a lot”). “Fade Out” accelerates from trot to gallop on its chorus, flying by in a scant 2:20. The subtly meta-critical “60 > 15” ("I've heard your volume kills / I’ve seen your psychic thrills") confirms GVSB's rhythm section's continued ownership over mid-tempo pummeling. Despite GVSB’s ongoing emphasis on rhythm, “Let's Get Killed” offers one of their clearest melodies to date, on par with the highlights of You Can't Fight... and “One Dose of Truth” from the Series 7 soundtrack. Finally, “Kick” recalls the genuine malice lurking on Girls Against Boys' mid-period classics. Its orchestral stabs are a successful new addition to their repertoire, even though the EP’s emphasis on trademark-renewal didn’t mandate a step forward.

Here's the only drawback: The Ghost List proves Girls Against Boys can hold their own as a fully reunited band in a modern context, but it doesn't necessarily dictate that they will. The geographical and logistical hurdles that prompted their decade layoff from recording still exist: Scott McCloud lives in Vienna and focuses on the comparatively chill Paramount Styles, Eli Janney is a NYC-based recording engineer/podcast host, Johnny Temple has his hands full with Akashic Books, and Alexis Fleisig drums for three other bands (Paramount Styles, Obits, and Bellini). Maybe a full catalog reissue like Numero's exhaustive Unwound box sets would prompt an overdue critical reappraisal (“Yes, indie rockers did have sex in the 1990s”), further touring, and more material, but the roulette wheel of vinyl reissues could instead land on more stealthy repressings from Touch and Go. I’d prefer the former, obviously, but The Ghost List would stand as a worthy final chapter if Girls Against Boys go back into standby.

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